BLADE RUNNER: Future Shock Film Week at FOMO Cinema Tbilisi

FOMO Cinema Presents: Future Shock

A week of rogue machines, unstable realities, artificial intelligence, cybernetic bodies, corporate paranoia, cosmic dread, and a very cranky robot policeman.

This program traces a century of cinema asking the same uncomfortable question: what happens when human intelligence develops an Artificial Intelligence it can’t fully control?

The answer, judging by this week’s films, is never good.

BLADE RUNNER

Ridley Scott | 1982 | USA / Hong Kong | 1h57m | Presented in the original English audio with English subtitles

BLADE RUNNER made the future look so convincing that the next four decades of science fiction basically agreed to live there.

Harrison Ford plays Deckard, a former blade runner brought back to hunt synthetic humans known as replicants. They look human, feel human and are running out of time. The closer Deckard gets to them, the less stable the moral line becomes. Ridley Scott turns Philip K. Dick’s source material into a vision of corporate power, artificial life and urban exhaustion.

The design still feels astonishing. Neon, smoke, advertising, crowded streets and decaying architecture create a Los Angeles that looks futuristic and already ruined at the same time. Vangelis’ score gives the film its mournful pulse. Rutger Hauer’s Roy Batty turns what could’ve been a villain into one of science fiction’s most tragic figures.

The film’s troubled release has become part of its legend. Studio interference led to the original theatrical version being saddled with voiceover and a softened ending, before later cuts restored the ambiguity that made the film more powerful. Like its replicants, BLADE RUNNER had to fight for its identity after it was made.

The film’s impact is hard to overstate. BLADE RUNNER shaped the visual language of cyberpunk, influenced decades of science fiction, and gave us a future where technology doesn’t look clean or liberating. It looks commercial, unequal, beautiful and exhausted. That’s probably why so many later films, games, music videos and fashion campaigns kept returning to it.

I’m closing this week’s FOMO FUTURE SHOCK program with BLADE RUNNER because it brings the whole question back to the body, the memory and the soul. After a week of rogue computers, military systems, virtual realities, killer machines and artificial companions, Scott’s film asks the most uncomfortable question of all: if an artificial being can remember, suffer, desire and fear death, what exactly makes it artificial?

FOOD AND DRINK POLICY: FOMO Cinema Lounge Bar opens 1 hour before the first screening of the day and closes at 02:00,.serving a wide selection of beer, wine, cocktails, and non-alcoholic refreshments including coffee and tea, as well as fresh hot popcorn! Outside food is allowed in the bar but not in the cinema. No alcohol from outside allowed. All guests are invited to arrive early and stay late!

LOCATION: FOMO Secret Cinema, Bazari Orbeliani, Tbilisi. A five minute walk from Liberty Square metro.

HOW TO FIND FOMO: Enter Bazari Orbeliani via Atoneli St above Carrefour and take the stairs on your left to Level 1. Signage on the door. You can also check our Instagram story highlights for a video showing exactly how to find us:
https://www.instagram.com/stories/highlights/17933106294029235/